c-VEP dataset from Thielen et al. (2021)
…Code-modulated visual evoked potentials BCI task where participants fixated on target…
- Participants
- 30
- Channels
- 8 (10-10)
- Citations
- 66
- HED
- v8.4.0
- Size
- 3.16 GB
- Version
- v1.0.5
- Updated
- Oct 8, 2026
…Code-modulated visual evoked potentials BCI task where participants fixated on target…
…male=31, female=12 - **BCI experience**: mostly students and young researchers ## Experimental…
…min=20.0, max=30.0 - **BCI experience**: mixed - **Species**: human ## Experimental…
EEG, galvanic skin response (GSR) and electrocardiogram (ECG) recordings from healthy adult volunteers listening to 40-s synthetic music clips designed to target specific affective states defined by valence and arousal. The data were collected to calibrate an affective brain-computer music interface that induces target emotional states through real-time modification of generated music. Each session comprised 5 runs of 18 music trials, and self-reported valence and arousal ratings are included. This is the calibration dataset of three related datasets from the BCMI-MIdAS project.
…1} - **BCI experience**: naive - **Species**: human ## Experimental Protocol - **Paradigm**: ssvep - **Number of…
EEG recordings from 8 healthy adults using a real-time, online affective music brain-computer interface. The system identified each listener's emotional state and modified synthetically generated 60 s music clips on the fly to induce target affective states defined by valence and arousal. The dataset includes self-reported valence and arousal and is one of three connected datasets from the BCMI-MIdAS project.
…P300 BCI for BS home appliance control; 6-class oddball; LCD display…
…male=24, female=14 - **BCI experience**: not naïve users - selected on the…
…male=9, female=3 - **BCI experience**: mostly naive - **Species**: human ## Experimental Protocol…
EEG recordings from 19 healthy participants using a music-based brain-computer interface that lets users dynamically modulate music tempo through intentional control. Participants kinaesthetically imagined squeezing a ball with the right hand to increase tempo, or relaxed to decrease it. The paradigm comprised 9 runs, beginning with a calibration run of 30 trials in pairs of increase and decrease tempo trials.